Known for his radiant orchestrations, his dramatic structures and his innovative guitar work, Canadian Tim Brady is a composer and guitarist who has created music in a wide range of genres ranging from chamber and orchestral music to electroacoustic works, chamber opera, contemporary dance scores, jazz and free improvisation. He has been commissioned and performed by numerous ensembles and orchestras in North America and Europe including the Orchestre symphonique de Montréal, the Vancouver Symphony Orchestra, the Winnipeg Symphony Orchestra, the Société de musique contemporaine du Québec, New Music Concerts, INA-GRM (Radio-France), the English Guitar Quartet, the Pittsburgh New Music Ensemble, the Esprit Orchestra (CBC), the Philadelphia-based Relâche ensemble, the Australian group Topology, and the British string ensemble The Smith Quartet.
regularly tours North America, Europe, Asia and Australia as
an electric guitar soloist, performing his own music as well
as new works which he commissions from other composers in his
effort to create a new voice for the electric guitar. He has
performed at many leading venues including The South Bank
Centre and the ICA (London), The Huddersfield Contemporary
Music Festival (UK), The Darwin International Guitar Festival
(Australia), the Bang on a Can Festival (NY), and De Ijsbreker
(Amsterdam), Radio-France (Paris), the Barcelona Contemporary
Music Festival and BKA (Berlin). He has recorded extensively
for Radio-Canada, the Canadian Broadcasting Corporation, the
British Broadcasting Corporation, Netherlands Public Radio,
Radio-France, Spanish National Radio and National Public Radio
in the USA. In 1999 his Strange Attractors World Tour
took him to 10 countries for a total of 23 concerts. The
ensemble's most recent tour in March and April 2014 took them
to the USA and Australia, including a broadcast recording for
the Australian Broadcasting Corporation show New
Music Up Late.
His new music ensemble Bradyworks has toured Canada six times (1991, 1994, 2000, 2004, 2006, 2009), performed in the United States, and records regularly for both the CBC and Radio-Canada. The ensemble released its first CD in 1991, entitled Inventions, and released its second recording, Revolutionary Songs, in 1996 to coincide with its performance at the Festival international de musique actuelle de Victoriaville. In the autumn of 2003 the group released its third CD, entitled Unison Rituals, and presented its first European tour, including a radio performance for the BBC Radio 3 programme "Hear and Now", along with concerts in Aberdeen, Dublin and Cork. The ensemble recently presented Brady's two chamber operas in highly successful productions: Three Cities in the Life of Dr. Norman Bethune (Montreal, 2003 / Toronto, 2005), and The Salome Dancer (Kitchener, 2005). In May 2008 it presented 5 performances of the multi-media work My 20th Century in a tour across Québec, including a performance at the Festival international de musique actuelle de Victoriaville. My 20th Century's success continued in 2009, with a 10-city Canadian tour, to rave reviews.
In January 2013 his work "Atacama: Symphonie #3" was named "Best new composition of the year" at the Prix OPUS. In 2004 he was awarded the Prix OPUS for "Composer of the Year" by the Conseil québécois de la musique, for the outstanding quality of his work as a creative artist. In Nov. 2006 he was awarded the Jan V. Matejcek Award by SOCAN, for the most concert music performance royalties in Canada for 2005 (francophone category). From 2008 to 2013 he served as the "composer-in-residence" with the Orchestre symphonique de Laval, working with music director Alain Trudel to build a creative music presence in the orchestra and in the city of Laval.
In addition to his work as a composer and guitarist, from 1994 to 2004 he served as the Artistic Director of Innovations en concert, a company which he founded. It is one of Montreal's main new music producers, and during his tenure as director he produced over 100 concerts of contemporary music from across Canada and around the world. He also has written for Musicworks Magazine, and has served on the boards of Codes d'accès, The Canadian League of Composers and the Music Gallery. He was the founding president of the Canadian New Music Network, serving from 2005 to 2014.
Photo: Laurence Labat