Three Cities in the Life of Dr. Norman Bethune
A CHAMBER OPERA IN THREE SCENCES
NOV.26, 2005 PRODUCTION


Photos: Laurence
Labat
Three Cities in
the Life of Dr. Norman Bethune - Tim
Brady (2002 - 2003) - 50 minutes
Bradyworks with baritone Michael Donovan
Part 1 - Montréal
I - Prelude: Three Cities:You must remember
poem - "To Pony" - Aug. 31, 1935 and letter
- Oct. 8, 1935 (N. Bethune)
II - poem - An Immigrant - Dorothy Livesay (Montréal)
III - Incantation 1 - letter - Nov. 6, 1935 (N. Bethune)
IV - poem - Depression Suite - Dorothy Livesay (Montréal)
V - letter - Oct. 8, 1935
Part 2 - Madrid
I - Prelude - "El Segador" (viola, cello and tape)
II - poem - The Defense of Madrid, the Defense of Catalonia - Raphael Alberti (Madrid)
II I- The Evacuation of Malaga - pamphlet - Feb. 7, 1937
(N. Bethune)
voices: Sol i Sombra Theatre. Solos - Maria J. Vazquez,
Julian Zazurca Anton, José Lorenzo
IV - poem - "I come from Cuatro Caminos" - Jan.
1937 (N. Bethune)
Part 3 - Chin-Ch'a-Chi
I - Prelude - piano, percussion, electric guitar
II - poem - Unititled - Lu Xun (tranlsation: Arthur Bull)
(China)
III - Incantation 2 - letter - Aug. 15, 1939 (N. Bethune)
IV - poem - Autumn 1939 - Dorothy Livesay (Montréal)
V - Reprise - letters -Aug. 15, 1939 and July 1, 1939
(N. Bethune)
VI - final letter - Nov. 11, 1939 (N. Bethune)
Part 1 - funded by
the Conseil des arts et des lettres du Québec
Parts 2 + 3 - commissioned by la Sociéte Radio-Canada
This project would not have
been possible without the generous help of: Irene Kon, Laurent
Major and Carole Legault (Radio-Canada), Arthur Bull, Maria Vazquez
and the Montreal-beased Spanish-langauage theatre company Sol i Sombra (Julian Zazurca Anotn, José Lorenzo,
Carlos Tomas, José Maria Alberu, Eduardo Sandoval, Matthias
Kukovica, Dolores Vazquez) , Randall Ware and Anne Goddard (National
Librady of Canada), Katherine Kasirer (National Film Board of
Canada), Sylvia Arie and Mrs. Betty Cornell (Norman Bethune's
niece)
Programme note
Like every Canadian child growing up in the 1960's and 1970's,
especially those in Montreal, we heard passing mention of Norman
Bethune and his remarkable story in our history classes. But
it was news surrounding the release of the film "Bethune"
in 1988 that intrigued me and it was only then that I began researching
Bethune's life. I started with the biography The Scalpel,
the Sword, written by by Sydney Gordon and Ted Allan in 1952,
and I was immediately gripped by the intensity of Bethune's passions
and the extraordinary nature of his life. Many more hours of
reading, research and planning followed.
Though the story of Bethune's
life is truly out of the ordinary (see short biogrpahy), what
struck me most was the enormous philosophical and personal transformation
that he underwent in the last 5 years of his life. His change
from a gregarious, headstrong, somewhat egotistical, successful
modern urban doctor into a selfless, devolted, military surgeon
and teacher serving on the front lines in rural China is at the
heart of his experience, and is the essential focus of this concert.
In order to create both this
concert and my own work "Three Cities", I had to create
a structure which would allow us to follow this transformation,
and the symbolism of the three cities seemed appropriate: Montreal
- urban North America; Madrid - civil war in Europe; Chin-Ch'a
Chi Military district - the Chinese war against fascism, largely
an isolated, rurual military campaign. The texts I use in my
work move between letters which Bethune wrote at the time and
poems written in the 1930's in the three cities in question.
As with Bethune's life from
1935 to 1939, the work traces a path starting with large social
and political issues of the era (Immigration, the Depression,
public health issues, the fight against Fascism), and slowly
moves towards a greater awareness and understanding of Bethune's
inner life and his search for a way to live in balance with his
own inner demons and his political convictions. The last year
of Bethune's life, spent in extreme physical hardship and isolation
in rural northern China, appears to have been the happiest time
in his adult life, when he had begun to understand himself and
his place in the world. Though his death in November 1939 at
the age of 49 cut his life uneccesarily short, he seems to have
felt content with his decisions and with the life he had led.
- Tim Brady 2003
Norman
Bethune - biography
Norman Bethune is unquestionably one of Canada's true heroic
figures, a brilliant surgeon and ambitious professional who was
transformed by his belief in the fight against poverty and fascism
into one of the great humanitarians of our century.
Bethune was born in Gravenhurst,
Ontario in 1890 and received his education there and in Toronto,
He worked as both an ambulance driver and as adoctor in the First
World War, followed by advanced medical studies in London, England.
In the early 1920's he began a promising private practice in
Detroit. Contracting tuberculosis, he became fascinated by the
disease and, following his cure in a sanitarium, he eventually
become a world leader in the field, inventing many new surgical
instruments and procedures. Moving to Montreal, he was soon named
head of Lung Surgery at Sacre Coeur Hospital in Montreal. His
fight against tuberculosis began to involve him in more than
just purely medical activities. Realising that the root cause
of tuberculosis was poverty and poor medical treatment, he became
increasingly vocal in his opposition to the established medical
community. He was one of the first doctors in Canada to support
the idea of a state run, not-for-profit medical system.
A complex personality, Bethune
was a gifted amateur painter and writer, and helped found an
art school for poor children in Montreal in the 1930's, which
held classes in his apartment. His personal life was equally
complex and passionate, as he married and divorced the same woman
twice in a period of 8 years.
In 1936 he went to Spain to
fight fascism, creating a highly effective and efficient military
medical service from scarce means. Based out of Madrid, he traveled
throughout the country with the "Servicio Canadense de Transfusion
de Sangre", the blood transfusion service that he founded.
In 1937 he returned to a hero's welcome to Canada on a fund raising
speaking tour that took him from coast to coast, raising thousands
of dollars for the Republican cause in Spain. By now a committed
communist, he decided that he would be of greater value working
as a doctor as part of the Chinese Eight Army and he left form
China in January 1938. Here he felt he could make a bigger difference
than in Spain, working with a united Chinese front fighting fascism
in the guise of Japanese Imperialism.
During his 19 month stay in
China, he transformed the Chinese medical system, creating a
complete training system for Chinese doctors and nurses, and
eventually creating small, portable operating rooms and transfusion
services that were more adapted to the Chinese reality. His own
feats as a surgeon were legendary, at times working 3 or 4 days
without sleep, performing hundreds of operations in appalling
conditions, refusing any salary from the Chinese military, and
often giving away his meager rations to sick patients.
He died in November 1939 as
the result of septicaemia poisoning contracted from a patient
during an operation. In 1952 the Chinese government created a
permanent Norman Bethune memorial and museum, and Mao Tse-Tung's
essay In Memory of Norman Bethune was one of the most
important texts to circulate in China in the 1960s. Several books
have been published about his life and work including Ted Allen's The Scalpel, the Sword, Roderick Stewart's Bethune and Larry Hannant's recent Politics of Passion. The National
Film Board produced a documentary on his life in 1964, and a
resurgence of interest in his work began in Canada in the 1980's,
leading to the production of the film Norman Bethune,
starting Donald Sutherland
For more information visit
the Norman Bethune Memorial
House Web site